Education

Bradley McCallum
1992 MFA, Sculpture, Yale University School of Art, New Haven, CT

1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA

Jacqueline Tarry
2003 Whitney Independent Study Program, New York, NY

1986 Philosophy, State University College at Buffalo, Buffalo, NY

McCallum + Tarry
June 2006 Cut, Conner Contemporary Art, Washington, DC

April 2006 Whitewash, F-2 Gallery, Beijing, China

July 2005 McCallum & Tarry-Endurance, Nichido Contemporary Art, Tokyo, Japan

July- August 2005 Endurance, Tokyo Wonder Site, Tokyo, Japan

June-Sept. 2005 Endurance, Aljira, Center for Contemporary Art, Newark, NJ

Oct.–Nov. 2004 Endurance, Marvelli Gallery, New York, NY

Oct.–Nov. 2004 Otis, Conner Contemporary Art, Washington, DC

Feb.–April 2004 Endurance, City Space Gallery, Seattle, WA

Oct.–Nov. 2003 Civic Endurance, Conner Contemporary Art, Washington, DC

Apr.–May 2002 Silence: New Haven, Rush Arts Gallery, New York, NY

Oct.–Nov. 2001 Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT

Oct. 2000 Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY and citywide installation, New York, NY

May–Jul. 2000 In the Public Realm, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, WI

Nov.–Dec. 1999 Witness: Perspectives on Police Violence, Cathedral Church of St. John the Divine, New York, NY

Jul. 1999 Witness: Perspectives on Police Violence, Institute on Arts and Civic Dialogue, Kings Chapel, Boston, MA

McCallum

Oct. 2001–03 Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI

Oct.–Nov. 1998 Permanence of Memory: Maine Veterans and Civilians Remember WWII, Institute of Contemporary Art at Maine College of Art, Portland, ME

May 1998 History Table: Gorhams Corner, Percent-for-Art commission, Portland, ME

Oct. 1996–Mar. 1997 The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford, CT

April–Aug. 1996 Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion, MI

Aug. 1996 Surviving Memories, Work-in-progress, Swords Into Plowshares Peace Center and Gallery, Detroit, MI

July 1995–Sept. 1996 The Permanence of Memory: Maine Veterans and Civilians Remember WWII, Site specific installation, Battery 201, Two Lights State Park, Cape Elizabeth, ME

Nov. 1994 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Coalition to Stop Gun Violence Conference, Washington, DC

Apr. 1994 Testimonies, Screening, Boston Film and Video Foundation, Boston, MA

Nov. 1993 Aiding Awareness: Women’s Stories, in collaboration with Class Action: The Art Collective For Community Action, Artspace, New Haven, CT

Sept. 1993 Multi Media Installation, Virginia Polytechnic Institute and University, Blacksburg, VA

Mar.–Nov. 1992 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Site specific installation, Yale Art & Architecture Gallery, New Haven, CT; City Hall, New Haven, CT; Connecticut College Chapel, New London, CT; Maloney Correctional Institute, Cheshire, CT

Mar. 1990 Awnings: Shelter, Site specific installation, Yale University, New Haven, CT

Sept. 1989 Park Bench Shelter, Site specific installation, New Haven, CT

Sept. 1988-May 1989 Homeless Carts, Public art project, Richmond, VA

Group Exhibitions

McCallum + Tarry

June- Jan. 2006 Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, NY

May 2006 25 Bold Moves, Curator Simon Watson, House of Campari, New York, NY

April 2005 A Knock at the Door, Lower Manhattan Cultural Council, New York, NY

April 2005 Crossing Waters and Boarders Down Memory Lane, Cork, Ireland

Sept.–Oct. 2005 Convergence, International Contemporary Art Exhibition, Beijing, China

Sept.-Oct. 2005 Noorderlicht Photofestival, Groningen, Netherlands

Dec. 2004–Jan. 2005 The Staged Body, Curator: Andrea Pollan, Curator’s Office, Washington, DC

Mar.–June 2004 Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY

Mar.-Apr. 2004 It’s About Memory, Curator: Simon Watson, Rhona Hoffman Gallery, Chicago, IL

Dec. 2003 The Outlaw Series, Curator: Lisa Kirk, New York, NY

Oct.–Dec. 2003 Confrontation or Commentary: The Role of Political Art in Society, Curator: Danny Simons, Nathan Cummings Foundation, New York, NY

June 2003 2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY

Nov. 2002 MediaCity, Curator: Wang Nan-Ming, Artists Commune Gallery, Hong Kong, China

Sept.­–Nov. 2002 Strike, Curator: Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England

June 2002 Art & Outrage, Curator: Simon Watson, Robert Miller Gallery, New York, NY

Aug.–Sept. 2001 In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY

June–Sept. 2001 Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT

Feb.–Apr. 2001 Collaborative Art Projects 2000: Artists-in-Community Residence, Bronx Museum of the Arts, Bronx, NY

Oct.–Dec. 2000 Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan, CT

Sept. 1999 Mumia 911, Refuse and Resist, New York, NY

McCallum

Oct 2005 Disputed Territories, City Without Walls, Newark, NJ

Feb. 2002– April 2003 The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL

Sept.–Oct. 2000 Concerted Compassionism, White Columns, New York, NY

Jun.–Dec. 2000 Once Removed, Socrates Sculpture Park, Long Island City, NY

Jun.–Sept. 1998 Inspired Fear, Erector Square Gallery, New Haven, CT

Sept.–Dec. 1997 Memory and Mourning: Shared Cultural Experience, University at Albany Art Museum, Albany, NY

Aug.–Dec. 1997 Surviving Memories, Site specific installation, Heidelberg Project, Detroit, MI

Dec. 1996 Incestuous, Thread Waxing Space, New York, NY

Mar.–Jun. 1996 In Our Sights: Artist Look at Guns, UCR/California Museum of Photography, Riverside, CA

Nov. 1995 Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA

July–Oct. 1995 Arresting Images, Gallery 400 at the University of Illinois at Chicago, IL

Jan. 1995 Reinventing the Emblem, Yale Art Gallery, New Haven, CT

Apr.–Oct. 1995 Strokes of Genius: Mini Golf by Artists, Collaboration with Dawoud Bey, DeCordova Museum, Lincoln, MA

Dec. 1994 Multiple Choice, Gates of Heck Editions, New York, NY

Oct. 1994 Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland, ME

Dec. 1993 Small Works, Artspace, New Haven, CT

Nov. 1993 Art and Ethics, Sawtooth Center for Art, Winston Salem, NC

Sept. 1993 Re-enchanting Art, Multimedia installation, Cardinal Gallery, Annapolis, MD

Dec. 1991 Toys Are U.S., Key Gallery, Richmond, VA

1989 Coastal Exchange II, Anderson Gallery, Richmond, VA; Maryland Art Place, Baltimore, MD; Nexus Art Center, Atlanta, GA

Tarry
May 2004  Independent Study Program Studio Program Exhibition, Whitney Museum of American Art, New York, NY

McCallum + Tarry
2004-06 Lambent Fellowship in the Arts, Tides Foundation, New York, NY

2003 Rema Hort Mann Fellowship in the Arts, New York, NY

McCallum + Tarry
2005 Headlands Center For the Arts, Bridge Residency

2003 Arts Up Program, Seattle Office of Arts and Cultural Affairs, Seattle, WA

2002 Red Gate Gallery, Beijing, China, Ford Foundation International Fellowship

1999 Institute on Arts and Civic Dialogue, Harvard University, Boston, MA

McCallum
1999–00 Madison Metropolitan School District, Madison, WI

1998–99 New York Civil Liberties Union, New York, NY

1996 Albion College, Albion, MI

1995 John Michael Kohler Arts Center Residency, Sheboygan, WI

1993 Vermont Studio Center Residency, Johnson, VT

Public Projects: Partners & Funding

McCallum + Tarry

Silence: New Haven, New Haven, CT (2001-02)
Presented by Artspace and Center Church on the Green, New Haven, CT. Produced by ConjunctionArts. Funded by the Lustman Memorial Fund, The Gunk Foundation, Trumball College Fine Art Program and the Connecticut Humanities Council. Presented in New York City by the Rush Arts Gallery, a program of Rush Philanthropic Arts Foundation. Funded by the New York State Council on the Arts and the Greenwall Foundation.

Witness: Perspectives on Police Violence, New York, NY (1999–00)
Presented by the Bronx Museum of the Arts and the Cathedral of St. John the Divine. Produced by ConjunctionArts in partnership with Center for Constitutional Rights, 100 Blacks in Law Enforcement Who Care, Parents Against Police Brutality, National Action Network, National Congress for Puerto Rican Rights and New York Civil Liberties Union. Funded by the New York State Council on the Arts, Institute on Arts and Civic Dialogue, Jerome Foundation, The Gunk Foundation, Lower Manhattan Cultural Council and the Andy Warhol Foundation for the Visual Arts.

McCallum

The Madison Project: Path of Voices, Madison, WI (2001–03)
Commissioned by the Madison Metropolitan School District, YWCA of Madison and Parents of Murdered Children. Funded by the National Endowment for the Arts, Pleasant Company Fund for Children, Madison CityARTS Commision, Evjue Foundation, Wisconsin Arts Board and individual donors.

The Manhole Cover Project: A Gun Legacy, Hartford, CT (1996–97)
Presented by the Wadsworth Atheneum in partnership with the Connecticut Childhood Injury Prevention Center with support from the City of Hartford, Mayor’s Office and ConjunctionArts. Funded by the Connecticut Commission on the Arts-New Arts Partnerships, Greater Hartford Arts Council, New England Foundation for the Arts, Hartford Hospital, Colt Foundation and Kaiser Permanente.

Surviving Memories: Dedicated to Homicide Victims, Detroit, MI (1994–98)    
Commissioned by Save Our Sons and Daughters (SOSAD) and the City of Detroit. Funded by the Michigan Council for Art and Cultural Affairs, Detroit Arts Council, Detroit Arts Foundation and the John Michael Kohler Arts Center.

Permanence of Memory: Maine Veterans and Civilians Remember WWII, Cape Elizabeth, ME (1995–98)
Presented by ConjunctionArts in partnership with Two Lights State Park and the American Legion. Funded by the National Endowment for the Arts, Maine Humanities Council, Maine Arts Commission, Maine Community Foundation, Davis Family Foundation and the Shipman Foundation.

Shroud: Mother’s Voices: A Memorial for Victims of Gun Violence in New Haven, CT (1992–93)
Produced by ConjunctionArts. Presented by the Yale Art & Architecture Gallery, New Haven, CT, New Haven City Hall, New Haven, CT, Connecticut College Chapel, New London, CT and the Maloney Correctional Institute, Cheshire, CT. Funded by the Seymour L. Lustman Memorial Fund and the Dwight Hall Center for Public Service and Social Justice.

McCallum + Tarry

“Civic Endurance,” Issue Magazine, Fall 2003, no. 7: 14-29, cover photo.

“Silence,” Art Journal, Vol. 62, no. 1: 82-95.

“Bearing Witness” in Zero Tolerance: Quality of Life and the New York Police Brutality in New York City, Andrea

McArdle and Tanya Erzen, eds, New York: NYU P., 2001: 271-281.

Bibliography

McCallum + Tarry

Holland Cotter, “Posing, Speaking, Revealing,” The New York Times, 24 August 2005: Front Page, The Arts

Benjamin Genocchio, “Trapped in Nether-Nether Land,” New York Times, NJ- Arts, 7 August 2005

Dan Bischoff, “Street Scenes,” The Stare-Ledger, 8 July 2005: Front Page

Tina Potterf, “Strife, Addiction, Hope, ‘Endurance,’” The Seattle Times, 17 February 2004: E1-2.

Erin Barnett, “New Museum Curator’s Picks,” newmuseum.org, December 2003.

Louis Jacobson, “Civic Endurance,” Washington City Paper, 7-13 November 2003.

Jessica Dawson, “Still Life With Street Corner and Homeless Kids,” Washington Post, 6 November 2003: C5.

Franklin Sirmans, “The Spirit of Endurance,” In Civic Endurance, exh. cat., Conner Contemporary Art,

Washington, DC, 2003.

Michael O’Sullivan, “McCallum, Tarry Take a Stand,” Washington Post, 24 October 2003: WE50.

Blake Gopnik, “Here and Now,” Washington Post, 19 Oct. 2003: N3.

Glenn Dixon, “Children of No Standing,” Washington Post Express, 16 October 2003: N3.

Keisha Lewis, “ Silent Witnessing: Questioning Sacred Spaces,” NKA: Journal of Contemporary African Art, Spring/Summer 2003, no. 18: 96-97.

Ana Finel Honigman, “Public and Private Investigation: A Conversation with Bradley McCallum and Jacqueline Tarry,” Sculpture, Vol. 21, no. 7: 64-69.

Franklin Sirmans, “Bradley McCallum and Jacqueline Tarry, ‘Silence’” Time Out New York, 2-9 May 2002, no. 344.

Courtney J. Martin, “Civil Servants,” One World, Vol. 7, no. 3: 110-112.

Stacy Stowe, “Congregation Thinks Twice about a Depiction of a Segregated Past,” New York Times, 3 Dec. 2001: F1.

Randall Beach, “Sins of the Past,” New Haven Register, 9 Sept. 2001: B1.

Christian Schaernack,  “Guiliani Meint es Ernst,” Art Das Kunstmagazin, Nr. 6, 2001.

Jose Martinez, “Art Labeled Anti-cop,” Daily News [New York, NY], 18 April 2001.

Jenni Sorkin, “Bradley McCallum and Jacqueline Tarry,” Frieze, Jan.–Feb. 2001: 109-110.

David Ebony, “Feds Spurn Police Brutality Art,” Art in America, Feb. 2001:

Judy Birke, “Pain and Provocation in ‘Black and Blue’,” New Haven Register, 12 Nov. 2001: D1, D6.

Shaila K. Dewan, “Police Brutality Revisited, But Not on Federal Ground,” New York Times, 3 Oct. 2000, late final ed.: B6.

Roberta Smith, “Stretching Definitions of Outdoor Sculpture,” New York Times, 28 July 2000, late final ed.: E27-29.

Patricia Phillips, “Bradley McCallum, Cathedral Church of St John the Divine,” Sculpture, June 2000: 71-72.

Janet Koenig, “Evidence of Blue,” Afterimage, Mar./Apr. 2000: 12.

McCallum

Amanda Henry, “Sounds Out of Stone,” Wisconsin State Journal [Madison, WI], 14 Oct. 2001: F1+

Mary Feingold, “Path of Voices winds through Madison High School,” Madison Magazine, Oct. 2001: 21.

Joshua Tyree, “After the Violence, Art,” Isthmus [Madison, WI], 16 June 2000: 22.

Dan Cameron, “The One Who Sees: In the Public Realm,” In In the Public Realm: Installations by Bradley McCallum, exh. cat., Elvehjem Museum of Art, Madison, WI, 2000.

Kevin Lynch, “Melted Guns, Ghostly Silk Yield Wrenching Art,” Capital Times [Madison, WI], 24 May 2000: C1.

John Aehl, “Out of Violence, Art,” Wisconsin State Journal [Madison, WI], 30 April 2000: F1-5.

David Ebony, “NYCLU Hires Artist-in-Residence,” Art in America, April 1999: Front page.

R. Gardner, “NYCLU Arts Initiative to Address Police Brutality,” New York Observer, 22 Feb. 1999:

Paul Brickman, “Envisioning a World Without Brutality,” Wisconsin State Journal [Madison, WI], 19 Jan. 1999: A1.

Chris Murphy, “Guns Into Art,” Capital Times [Madison, WI], 18 Jan. 1999: Front Page.

Lucy Lippard, “The Consequences of Memory,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998.

Kent Bloomer, “The Making of Memorials,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998.

Mark H. C. Bessire, “Museum as Site,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998.

Hank Hoffman, “Inspired Fear,” New Haven Advocate, 17 Sept. 1998:

Judy Birke, “Fears exposed, examined in ‘inspired’ exhibit,” New Haven Register, 13 Sept. 1998: G2.

David Firestone, “Artist Gives Form to Free Speech,” New York Times, 17 Nov. 1998: Public Lives-Metro Section

Lucy Lippard, The Lure of the Local: Senses of Place in a Multicentered Society (New York: New Press, 1997), 282.

Patricia Phillips, “Bradley McCallum,” Sculpture, May–June 1997: 62-64.

David Ebony, “Swords Into Plowshares,” Art in America, January 1997: Front Page.

Alberta Eiseman, “Sam, Elizabeth and the Victims of Guns,” New York Times, 12 Jan. 1997: CN23.

Tom Condon, “Guns-to-Covers, A Great Idea,” Hartford Courant, 1 Sept. 1996: B1.

Hanley, Christine, “Guns to Manhole Covers,” Associated Press, 18 Oct. 1996.

Jane Keedle, “A Legacy of Violence,” Hartford Advocate, 17 Oct. 1996: 17.

James Rondeau, catalogue essay, The Manhole Cover Project: A Gun Legacy, exh. cat., Wadsworth Atheneum,

Hartford, Conn., 1996.

Joanne M. Pelton, “Artwork Revisits Yale Tragedy,” New Haven Register, 22 Jan. 1995: A3.

“Environments Best of Category,” I.D. Annual Design Review, June 1994: 109-112.

“The Aesthetic of Collaboration,” New England Artist Trust (Vol. 4, 1994).

Richard Hertz, Theories of Contemporary Art, Second Edition, (Englewood, NJ Prentice Hall, 1993).

Suzi Gablik, The Re-Enchantment of Art, (New York: Thames and Hudson, 1991).

Suzi Gablik, “Toward an Ecological Self,” New Art Examiner, Vol. 18, no. 5:

William Zimmer, “Photographers Capture Reality,” New York Times, 8 Dec. 1991: 24CN.

McCallum + Tarry

2000–Present Adjunct Professor of Arts and Cultural Management, Pratt Institute, New York, NY
Management of Arts Education, Introduction to Arts Management & Cultural Institutions

McCallum

1996 Visiting Assistant Professor of Art, San Francisco Art Institute, San Francisco, CA
Public Art: Memory, Activism, and Action

1994 Adjunct Professor of Art, University of Southern Maine, Portland, ME
Interdisciplinary Design, Introduction to Conceptual Art
Maine College of Art, Portland Maine, Pre-College Faculty

1992–94 Adjunct Professor of Art, Southern Connecticut State University, New Haven CT
Two and Three Dimensional Design, Computer Art

1992 Teaching Assistant, Yale School of Art, New Haven, CT
Sculptural Figure Studies

Symposium/Conferences

McCallum + Tarry

2006 Visiting Artists, NYU Photography, New York, NY
Visiting Artists, The Museum School, Boston, MA
Endurance, National Youth Network, Washington, DC

2005 Visiting Artists, Princeton University, Princeton NJ
Visiting Artists, London-Derry, North-Ireland
Workshop, Cork, Ireland
Initial Public Offering, Whitney Museum of Art, New York, NY

2003 College Art Association Conference, Seattle, WA, Panel Organizer
Activating Critical Discourse: Models of Civic Engagement and Public Arts Practice

2002 Collaborative Art Practices International Women Artists’ Conference, W.E.R.I.S.E., Barnard College, New York, NY                 

2001 Tisch School of the Arts, New York University, New York, NY
A Reflection on the Institute on Arts and Civic Dialogue: Artists Respond to 9/11

Bronx Museum of the Arts, Bronx, NY, Collaborative Art Practice

McCallum

2001 Arts Now Conference, State University of New York at New Paltz, New Paltz, NY, Panel Organizer
Artists: Interventions and Collaborations on Sites of Violence, Keynote panel

1995 Portland Museum of Art, Portland, ME, Symposium Organizer, Public Art: Memory and Activism

Guest Lectures

McCallum + Tarry

2001 Occidental College, Los Angeles, CA, Testimony/Urban Ethnography
Yale University, New Haven, CT, Silence: New Haven

1997 New England Artists Trust Congress, Newport, NH, For Who’s Community?

McCallum

2002 Iowa Teacher Convention, Decora, IA, Keynote Lecture, The Madison Project: A Case Study
Wisconsin Teachers Convention, Madison, WI, Keynote Lecture, The Madison Project: A Case Study

2000 Elvehjem Museum of Art, Madison, WI, In the Public Realm
National Association of Artist Organizations Conference, Brooklyn, NY
Public Art/Collaborative Partnerships

1997 University of Minnesota, Minneapolis, MN, The Manhole Cover Project: A Gun Legacy

Augsburg College, Minneapolis, MN, Deadly Consequences: Stopping Youth Violence

Southeastern College Art Conference, Richmond, VA, The Manhole Cover Project: A Gun Legacy           

Suffield Academy, Suffield, CT, The Manhole Cover Project: A Gun Legacy

University of Connecticut, Storres, CT, Under the Manhole Covers

Virginia Polytechnic Institute and University, Blacksburg, VA, Public Art

1996 Wadsworth Atheneum, Hartford, CT, The Manhole Cover Project: A Gun Legacy
San Francisco Art Institute, San Francisco, CA, Visiting Artist Lecture

1995 Albion College, Albion, MI, Visiting Artist Lecture

1994 Maine College of Art, Portland, ME, Visiting Artist Lecture

1994 Sawtooth Center for Visual Art, Winston-Salem, NC, Visiting Artist Lecture 

1993 Children’s Defense Fund, Anti-Violence Network, Washington, DC, Shroud: Mother’s Voices
Virginia Polytechnic Institute and University, Blacksburg, VA, Collaboration

1992 Connecticut College, New London, CT, Shroud: Mother’s Voices